1. Some notes on experimenting with the economics

    November 09, 2008

    A few weeks ago, we launched the &AMP, Ampersand Make Production, a project in which people are supporting the production of cultural products.


    This is an experiment in the economics of production. Our first issue is a poster and a text: AMP001. The content is clearly influenced by the practice we developped to maintain and develop R-Echos (http://r-echos.net) and we called the issue “R-Echos issue 1”.

    * Recently Charlotte from Manystuff asked us to give more details about the ideas around &AMP - below I’m translating in english our answer to her request:

    Financing and the notion of Crowd Sourcing
    Instead of using a single source of finance, grant or sponsoring -we are seeking to establish a principle of distributed funding, like a p2p network. This principle is applied as well to the distribution since each share-holder/participant own a certain percentage of the real thing produced, and each of them is able to decide individually or collectivelly of the future of his or her share of the production.
    A series of economic experiments
    This project is for us a laboratory. The poster and the text of AMP001 (the first issue) are a first test tube. We are just starting to be able to draw early conclusions, it is for us a little bit like a reduced scale LHC: we are launching something and looking at the results depending on the parameters of the launch.
    An extension of R-echos (http://r-echos.net)
    R-Echos is a website, a selection of whatever we find, see, read and collect online, it is our daily best picks; it is a reblog that we have been maintaining for some years now. The poster of this first issue shows tangible objects that belongs to our every day life ans surround us: things on our desks, books in the shelves, visuals references that inspired us for some reasons - we consider those objects as being the sources of the project we develop and realise (like in programmation); we really consider R-Echos like being one of the source-code of Electronest.

    french version:
    le financement et la notion de crowd sourcing
    au lieu de s’en remettre à une seule source de financement, ou à un principe de sponsoring - nous cherchons à mettre en place un financement distribuée comme un réseau p2p. Ce principe s’applique également à la distribution, puisque chaque Share Holder possede un certain pourcentage de notre production et est en mesure de decider individuellement (ou cellectiveemnt) du futur de sa part de la production.
    une serie d’expériences économiques
    ce projet est un laboratoire pour nous. Le poster et le texte de AMP001, c’est une première éprouvette. On commence tout juste à pouvoir tirer des conclusions. c’est un peu comme un micro-LHC pour nous: on lance un truc, et on regarde ce que ça produit en fonction des paramètres de lancement
    une extension de R-Echos — http://r-echos.net
    R-Echos est un site internet, une sélection de ce que l’on lis/trouve online, nos “best picks” quotidien; c’est un reblog que l’on fait depuis quelques années déjà. Ce poster contient les objets qui nos entourent et nous inspirent — c’est un peu comme un code-source des choses que l’on fait, on considère le site de R-Echos comme étant un des codes-source de Electronest.

    * Here is also a short text I put on the facebook group a little while ago, it links the ideas of &AMP and the ones of etoy.SHARE:

    obviously, there’s some sort of inspiration taken from etoy.SHARE.
    In the & Make Production project, shares are project based and they determine if the project is interesting enough to make it to the production step. if not shareholders will be able to decide how they want the money to be used: refund, re-investment in the next publication or in the structure itself, etc.
    Shareholders are sharing the destiny of the project which we don’t control anymore.



  2. Electronest Aggregated & Electronic Presence

    September 16, 2008

    Today we published 2 new pages on the Electronest website:
    Electronest Aggregated and Electronic Presence.
    Both are resulting from frustration; Electronest Aggregated allow visitors to have a more global perception of our different website (there’s still tons of work to be done to make the experience smoother). Electronic Presence will be used as a ressource page on the concept of Electronic Presence.



  3. Context for 2 new anti-chambre pages

    September 08, 2008

    This weekend i added 2 new sections to anti-chambre.net:

    • Filmographies
    • Wikipedia Reader


    The Filmographies section comes from the recent wish to co-relate my practice as a designer with other experiment i could learn from; movies being one of those external sources. The series of pages is inteded to help me list and take short notes about movies, as well as collect and reconnect links from my various electronic presence where i can develop in a different form than listing.


    The Wikipedia Reader is an old project of mine I started to (re) develop a few months ago: it is a collection of Wikipedia pages assembled with the reason why I browsed them. The original idea was linked with the Url Bar Logging project; a kind of GTD/notepad using exclusively the url bar of a browser.

    Both sections are (at the moment) essentially using Gogle spreadsheet to maintain the listing. The idea is based on the initial Common Knowledge website we are setting up and designing for Will Holder, for the On Purpose exhibition. Will is going to share the whole book collection of his London’s home at Arnolfini during the time of the exhibition.



  4. London TLK TLK

    August 29, 2008

    tlktlk.meeting_icons.gif

    We launched a new website: Tlk Tlk - this is a project in which we would like to share the events we are attending, to promote nice things we come across in real life where friends are organising, or just giving a hand, or sometimes events organised by complete stranger but we like what they do…

    The idea is a continuous curration of things we are interrested in, a littl ebit like R-Echos but for cultural events.

    talktalk1.jpg



  5. An experiment in the economics of production

    July 24, 2008

    An experiment in the economics of production: how can we shift focus from consumption of a finished product to investment in the processes of design, print & production?

    R-Echos issue 1 - AMP001

    This is a poster and a text: an analog R-Echos
    Would you be interested in investing in the tangible production of this work?

    1. You can download the digital archive
    and decide wether or not you’re interested in particpating in this project.
    2. Each participant donate a minimum of £8
    3. The publication is produced
    4. We share the publications
    which means each participant own a fair amount of publications and participants decide (collectively or individually) what to do with it.


    minimum £8



  6. Helvetica 72 dpi

    July 10, 2008


    fontnest, experimental type foundry



  7. Kitsune & Friends

    July 09, 2008

    kitsuné-maison-faces-small.png

    A portal to celebrate the 500th face: Kitsuné Friends all together, with their website.

    After a few seconds the faces move.
    Each friend having a website is linked from here.



  8. Materiality, transparence.

    July 01, 2008

    a simple scan of fabric

    Écran 2.png



  9. Futura Domus Simplifiée & Combinée - PREVIEW

    June 30, 2008

    FuturaDomusSimplifiee-SPECIMEN.jpg



  10. Koyaanisqatsi, living technology

    February 04, 2008

    Koyaanisqatsi is a wonderful filmed statement
    on how technology is shaping our world, our lives, our mind…
    koyaanisqatsi_pictures_1-9.png

    Yesterday, I stumbled upon a website of friends of mine ‘Un Peu De Cinema’ (a little bit of movies); I quite liked the way he summarised the movie ‘Bring Me the Head of Alfredo Garcia’ (1974) by Sam Peckinpah (112 min) with all the killing scenes, in a post called Bang Bang. I was left wondering if I could find an excuse to do something similar with a movie I would like: not to break the plot, but just to speak about it.

    picture-22.png

    I finally found an excuse.

    Yesterday evening, we watched ‘Koyaanisqatsi’ - an amazing movie from 1982, directed by Godfrey Reggio, with the music composed by Philipp Glass, and a cinematography by Ron Fricke. This is a one hour twenty minute of beautiful and meaningful images: slow motion and time-lapse sequences, the movie is recording the contemporary state of our planet; with the advance of technology, automation, industrialisation.

    Somehow it made me think to a couple of things:

    1/ the digital pieces produced by ThomasTraum (aka Thomas Eberwein aka half of DigitalClub) with his fascination for particles and volumetrics 3d associated to electronic music. Thomas will be featured on ‘Advanced Beauty’ a massive HD-DVD project initiated and curated by Matt Pyke from Universal Everything.

    thomastraum.png

    2/ ‘Man with a movie camera’ - an experimental 1929 silent documentary film, by Russian director Dziga Vertov; this 1929 movie is sharing some of the cinematographic techniques and the subject with the ‘Koyaanisqatsi’. The crowded urban landscape are definitely reminiscent.

    Interestingly, out of the ordinary situations, we can find beautiful instants: at some point, to illustrate this post, I decided I would take a picture of each and every scene that struck my mind and catch my attention. I would present them the same way as Harry did for his ‘Un Peu De Cinema’ - I ended up with around 70 images. Obviously it was not possible.
    I then decided to select the best of the best, the one I would prefer… a hard choice to make.

    69pictures.png

    First selection left me with 23 pictures. At each selection step, I was reducing the number of images you would see here; finally I was left with the 4 images below which are not supposed to be a summary of the film, but simply some sort of immobile quote of beautiful animated sequence of images.

    picture-6.png

    From Wikipedia, about Koyaanisqatsi: Life out of balance

    The film consists primarily of slow motion and time-lapse photography of cities and natural landscapes across the United States. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and music. In the Hopi language, the word Koyaanisqatsi means ‘life of moral corruption and turmoil, life out of balance’, and the film implies that modern humanity is living in such a way.

    The film is the first in the Qatsi trilogy of films: it is followed by Powaqqatsi (1988) and Naqoyqatsi (2002). The trilogy depicts different aspects of the relationship between humans, nature, and technology. Koyaanisqatsi is the best known of the trilogy and is considered a cult film. However, due to copyright issues, the film was out of print for most of the 1990s.

    picture-17.png

    picture-52.png

    It’s not that we use technology,
    we live technology

    In a short documentary about the film, Essence of Life (included in the 2002 DVD release), Reggio states that the Qatsi films are intended to simply create an experience and that “it is up [to] the viewer to take for herself what it is that [the film] means.” Reggio said in Essence of Life “these films have never been about the effect of technology, of industry on people. It’s been that everyone: politics, education, things of the financial structure, the nation state structure, language, the culture, religion, all of that exists within the host of technology. So it’s not the effect of it’s that everything exists within [technology]. It’s not that we use technology, we live technology. Technology has become as ubiquitous as the air we breathe…”

    picture-56.png



  11. Analog color selection, tangible interface and live performance

    February 03, 2008

    colors-collection.png

    Today I helped Amandine to take some pictures in London Field for her work - at some point I asked her to take a picture with my hand, in front of it, selecting an object’s colour: this was a proper analog color selection. (The setup was for one of her work which should be published on her sketchbook this week)

    stuff-rainbow_1.jpg

    I would like to use this pink, please.

    Delicious Library let’s you scan your books’ barcodes to generate your collection (it gets the isbn out of it, and from the isbn, the software grabs the title and cover from the internet), using simply the iSight of your Mac.

    A bit in the same fashion, we could select a color by simply showing it to the computer. Clic! ColorBooth would let you then finetune the hue, saturation and brightness…

    delicious-library.png

    Somehow this idea of tangible interface is related with this video from Bob Dylan filmed by Pennebaker in 1965 where the text is displayed by the main characters of the music video story; the storytelling is essentially textual and I like it a lot. (thanks Patrick for the link)
    [youtube:http://youtube.com/watch?v=PedxiosPF8U]

    minorityreport.png

    Even when we first saw the movie Minority Report, the idea of having tangible interface was nothing new. Nonetheless this idea excited my mind quite recently, especially since I saw the various hacks and experiments using a wii controler - one of those is by Johnny Lee, in the video below he explain you how to track your fingers in the same fashion as Minority Report.

    [youtube:http://youtube.com/watch?v=0awjPUkBXOU]

    Another one, in a TED talk, by Jeff Han who shows a high-resolution multi-touch computer screen and the various new interactions modalities ipod/iphone like.

    touchscreen.png

    A few weeks ago, I have been invited by Maki to a talk he and Kajsa were organising at RCA for their student of visual communication. The talk was by Aurélien Froment, he was presenting a live film project - so it was like a performance. A bit like a scenario mixed with a storyboard, projected live in front of the audience amongst which Aurélien was sitting.

    aurelien_froment-setup.jpg

    The setup was quite simple: from the ceiling a hung camera was filming Aurélien’s desk where the show was taking place.

    [youtube:http://www.youtube.com/watch?v=qFd_bOjFgZg]

    Here is a picture of the desk after the performance with all the elements of the film’s project :

    aurelien_froment_desk.jpg

    He then showed a film he realised: a magician selecting images from a collection, playing around with them, in the same fashion as the Minority Report movie.
    Meeting Aurélien was quite exciting since his work and what he shown at RCA this afternoon was really close from questions and pieces I have been developping for sometimes now.



  12. ‘Copy, Paste and Meta’ - part 1

    December 19, 2007

    A while ago at Electronest, Pierre and I discussed about an application which could use the clipboard to create a book. Since this, the idea received a bit of attention from my graphic designers friends and this evening it came to my mind that this bit of code was in fact quite close from what Internet was supposed to be if for some reason it didn’t take the path of the World Wild Web, but the path from Xanadu.

    Here is a schema of how it could work:

    • 1/ I copy the bit of text (in this example)
    • 2/ I paste it
    • 3/ the pasted text is accompanied by information about the source

    COPYPASTE_META.png



  13. Time (mis-)conception and discoveries

    December 17, 2007

    Recently I have been asked to create a non obstrusive interface for a kind of GTD - a 5 items list time elapsed representation.

    tasp-15112007.jpg
    (I am still on it - it should be coming soon…)

    I decided to use this a sa pretext to teach myself a bit of Java and to pull the gears on Processing - much more suitable for people like me to learn and develop things.
    This was also the occasion for a brilliant personnal discovery:

    The Time

    As I was programming a bit of server side things, I knew aleady a bit about Unix timestamp, and how it is used, and why we need such time representation. What I did not know is that Unix Timestamp is not the only one out there:

    * January 1, 1 - Symbian epoch (using microseconds) and Microsoft .NET’s DateTime epoch. Also used as base date in REXX counting days. This epoch is known as Rata die.
    * January 1, 1601 - Windows’ Win32 file time-stamp epoch (using 100-nanosecond ticks). COBOL date/time function epoch.
    * November 17, 1858 - VMS epoch and the base date of the Modified Julian Day used in celestial ephemerides by the United States Naval Observatory and other astronomy organizations.
    * December 31, 1899 - Microsoft Excel epoch, using the Julian calendar leap year rule for 1900 (hence with leap day February 29, 1900) and the Gregorian calendar for the years 1901 - 9999 ; thus for dates from 1 March 1900 a time is stored as the number of days in the Gregorian calendar from December 30, 1899, 00:00; optionally Microsoft Excel can also use the Apple Macintosh epoch, which avoids the complication by starting later; its count of days is 1462 less.
    * January 1, 1900 - Network Time Protocol epoch. IBM CICS epoch. Microsoft Excel (and Lotus 1-2-3) technically consider the epoch of December 31, 1899 as January 0, 1900 or a serial date of zero (consequently, December 31, 1899 cannot be used). January 0, 1900 can be processed and formatted in Excel Worksheets, just as any other date.
    * January 1, 1904 (local time) - Apple Macintosh epoch, through Mac OS 9. Palm OS epoch. According to Martin Minow,[4]

    January 1, 1904, was chosen as the base for the Macintosh clock because it was the first leap year of the twentieth century. [...] This means that by starting with 1904, Macintosh system programmers could save a half dozen instructions in their leap-year checking code.

    * January 1, 1960 - S-Plus
    * January 1, 1970 - Unix epoch, Mac OS X, Java.
    * January 1, 1978 - AmigaOS epoch [1]
    * January 1, 1980 - MS DOS, OS/2, and other environments supporting a FAT file system encoding dates from 1980 up to 2107 in 16 bits.
    * January 6, 1980 - Qualcomm BREW and the GPS epoch.[5]

    (Retrieved from Epoch#Computing on Wikipedia)

    Each of those epoch represent or more exactly are the result of a decision process which is argued, logical and aimed at solving specific issues (apart maybe the FAT16, but that might be purely a personnal hate since the morning I lost all my work for my Bachelor - it’s also why I switched to Apple, so maybe I should be a bit more grateful to FAT-whatever-its-number).

    While I was googling on the topic in the search of date/time conversion for processing/java, I came across a very nice ressource I enjoyed reading:
    Date and time in Java - http://www.odi.ch/prog/design/datetime.php which I am quoting below:

    UNIX time stamps are the number of seconds that have elapsed since midnight 1.1.1970 UTC. Uh… here appears a “date”. Never mind, we’ll get to that in a minute. Java’s java.util.Date class effectively encapsulates a UNIX time stamp. It represents a point in time by a millisecond counter in a 64 bit long variable. While 32 bit representation on UNIX will overflow in 2038 the 64 bit signed long will last for roughly another 18 billion years. Please note that the all the deprecated methods and constructors of the Date class should never be used. They are from a time when the Sun people were confused about time themselves. javax.management.timer.Timer has some convenient constants for the most used millisecond values.

    As Unix Timestamp is a 32 bits based time encoding - its overflow limit (the kind of y2k bug) is in 2038. You can spread the word and advertise this fact by wearing this:
    tshirt.jpg

    There’s not that many useful info about date and time on processing.org website (I might be wrong however - I am certainly, please correct or update in the comment), so I thought I would share a bit of my diggings and notes:

    Basics of time in Processing:
    int NOW = year()+month()+day()+hour()+minute()+second();

    Here are a few class you might like to check - they contain essential things when you want to talk Time with Processing
    import java.util.Date;
    import java.util.Calendar;

    it’s usefull to have this in hand:
    int ONE_HOUR = 3600000;
    int ONE_MINUTE = 60000;
    int ONE_SECOND = 1000;

    This let’s you write “in 8 hours”:
    Date in8Hours = new Date(now.getTime() + 8L * ONE_HOUR);